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Volume 23

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In this Issue
Articles (22)
Reviews (1)

Articles

  • Four Songs by Margaret McClure Stitt
    Henry Woodward
    PDF
  • The Tempo di Minuetto Aria in Mozart's Operas
    Robert J. Nicolosi
    PDF
  • Music Research in Puerto Rico
    Donald Thompson
    PDF
  • Harmony in the Solo Piano Works of Olivier Messiaen: The First Twenty Years
    John M. Lee
    PDF
  • Enumeration of Dissonance in the Masses of Palestrina
    John R. Hanson
    PDF
  • A New Look at Palestrina's Missa Papae Marcelli
    Irving Godt
    PDF
  • The Arts in Our Society
    Gunther Schuller
    PDF
  • New Music is Dead  Long Live New Music
    Nora Post
    PDF
  • "I Did It in the Interests of the Public:" Thoughts on the Macabre Demise of Sundry Operatic Tenors
    Robert F. Schmalz
  • Why Music Critics Disagree
    Joseph Youngblood
  • Intersects in the Musicological Juncture: On the Relationship Between History, Theory, and Criticism
    Michael Broyles
  • On Translating Schoenberg's Harmonielehre
    Roy E. Carter
  • Beyond the Limits of Urtext Authority: A Contemporary Record of Early Nineteenth-Century Performance Practice
    Walter Schenkman
  • Handel's Oratorios as Drama
    Ralph T. Webb
  • Ernest Bloch's Enfantines
    David Z. Kushner
  • Structure and Imagination
    Edward Levy
  • The Effect of Scoring on the "Sonata-Form" in Mozart's Mature Instrumental Ensembles
    N. Lee Orr
  • College Student Recruitment: The Importance of Faculty Participation
    Mary Anne Rees
  • Student Evaluations: Measure of Teacher Effectiveness or Popularity?
    Manny Brand
  • The Show Choir Movement: Uses and Abuses—A Symposium
    Peter Tiboris, Gordon Paine, Georgia A. Ryder, and Robert E. Stoll
  • Entertainment, Enlightenment, and Service: A History and Description of Choral Music in Higher Education
    J. Perry White and George N. Heller
  • In Response to Wingspread
    Leon Dallin

Reviews

  • Dziga Vertov's Enthusiasm: Musique Concrète in 1930
    Richard B. Wedgewood
Announcing the 2026 BSD Competition for Young Choral Composers
Is Owning a Chopin Academy of Music Right for You?
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