Volume 24
Articles
- The Distant Shore Seen from Two Sides
- Music in Higher Education in Italy and the United States: The Pros and Cons of Tradition and Innovation
- To My Cousin, An Apologia
- Verisimilitude and the Operatic Set Piece
- Internal and External References in Beethoven's Fourth Symphony
- Dear Re: A Glimpse into the Six Songs of Rachmaninoff's Opus 38
- From Yankee Doodle thro' to Handel's Largo: Music at the World's Columbian Exposition
- Women Composers of Medieval Byzantine Chant
- Early Models in the Quantitative Analysis of Tonal Music
- Style Periods of Music History Considered Analytically
- Know the Score
- Music in Our Schools: A Question of Values
- The Changing Nature of Musical Change
- Ugh! Why Pink? A Brief History of Music's Academic Color
- Composition Before Rameau: Harmony, Figured Bass, and Style in the Baroque
- An Essay on Word Painting
- Problems and Issues Facing a Young Composer
- Order and Freedom: The Composer's Dilemma
- Ravel and Krenek: Cosmic Music Makers
- Debussy's Earliest Songs
- Mahler's Sketches for a Scherzo in C Minor and a Presto in F Major
- Narration as Drama: Wagner's Early Revisions of Tannhäuser and their Relation to the Rome Narrative
- Comprehending Twelve-Tone Music as an Extension of the Primary Musical Language of Tonality
- Tonal Ambiguity in the Opening Measures of Selected Works by Chopin
- Half-Notes Demystified in the First Movement of Beethoven's String Quartet, Op. 59, No. 1
- A Model for Faculty Performing Ensembles
- The UW-River Falls Commissioned Composer Project
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