Volume 33/34 - College Music Symposium

Volume 33/34

Articles

A "Requiem for the Requiem": On Stravinsky's Requiem Canticles

Fluidity in Paul Simon's Graceland: on Text and Music in a Popular Song

Music as Organic Evolution: Schoenberg's Mythic Springboard Into the Future

Schoenberg's Theoretical Writings after the Harmonielehre: A Study of the Published and Unpublished Manuscripts

Sketch Study and Analysis: Berg's Twelve-Tone Music

Schoenberg on the Modes: Characteristics, Substitutes, and Tonal Orientation

Reflections on the Relationship of Analysis and Performance

Composers' Revisions and the Creative Process

An Analytical Approach to Seventeenth-Century Music: Exploring Inganni in Fantasia Seconda (1608) by Girolamo Frescobaldi

Beyond "Bach-Centrism": Historiographic Perspectives on Johann Sebastian Bach and Seventeenth-Century Music

Deconstructing McClary: Narrative, Feminine Sexuality, and Feminism in Susan McClary's Feminine Endings

Women Choral Conductors at the Collegiate Level: Status and Perspectives

Lessons from a World: Balinese Applied Music Instruction and the Teaching of Western "Art" Music

The Unvarnished Truth about Commercial Ear-Training Software

Reviews

Cambridge Handbooks - Welcome New Resources

The New Grove Dictionary of Opera

Opera on the Road: Traveling Opera Troupes in the United States, 1825-1860, by Katherine K. Preston; Opera in America: A Cultural History, by John Dizikes

The American Musical Landscape, by Richard Crawford

Linear-Derived Harmony, by Arthur Komar

Musical Perceptions, Ed. Rita Aiello with John A. Sloboda

Review: Microsoft Musical Instruments and Igor Stravinsky – The Rite of Spring

Forum Essays

In Memoriam Arthur Komar (1934-1994)

On Teaching in Challenging Times

Teaching is a Performing Art

Teaching - A Performing Art?

Performance - A Teaching Obligation

Distinguished Teachers: Born to Be, or Seasoned Through the Years?

A Reexamination of the Mission of Schools of Music

The Implementation of National Standards in the Arts for American K-12 Education

A Profile of the Music Department Chairperson in Higher Education

Faculty Artist Evaluation, Artistic Freedom, and Audiences

Graduate Student Viewpoint: The State (Or Death?) of the Art

CMS Music Education Activity

Coping with Economic Crisis: Music Programs in the 90s

Evaluation Is Crucial to College Music Teaching

Yes, but Can They Dance?: Changing the Canon in Music History

Who Speaks for Higher Education?

Critical Thinking in Music Teaching

Who Speaks for Music in Higher Education?

From the Member-at-Large for Music in General Studies

In Memoriam: Robert Moore Trotter (1922-1994)

On Discourse

Community and University Cooperation: Service Role and Support Factor

University and Community - A Special Relationship

The Merits of Cooperation

Peeking Over the Fence: An Academic Eavesdropper at Nea's Art-21

Artificially-Intelligent Tutoring: An Assessment for the Future

The Challenges of Multimedia in the Music Curriculum

REVOLUTION!

Preparing to Listen

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