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Volume 46

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In this Issue
Articles (8)
Reviews (5)
Forum Essays (17)

Articles

  • The Shock of the Familiar: Hearing Ourselves in Others' Voices
    Christopher Waterman
    PDF
  • Contour and Melodic Structure in Two Homophonic Instrumental Works by Anton Webern
    Steven A. Harper
    PDF
  • Shostakovich's Preludes and Fugues: Fashioning Identities, Representing Relationships
    Mark Mazullo
    PDF
  • Design for Change: Creating Significant Learning Experiences in the Music Classroom
    Bruce C. Kelley
    PDF
  • Defending Music Theory in a Multicultural Curriculum
    YouYoung Kang
    PDF
  • Appreciation Without Apologies
    Philip Ford
    PDF
  • Analysis for Performance: Teaching a Method for Practical Application
    Gretchen C. Foley
    PDF
  • Technology for the Teachers Who Teach the Teachers
    David Brian Williams

Reviews

  • Review Essay of Books on the Art of the Piano in the Late Nineteenth Century
    Alexandra Mascolo-David
  • Review Essay of Books on Choral Music
    Matthew Harden
  • Boot Camp San Antonio: Internet Conferencing, Collaboration, and Convergence
    David Brian Williams
  • ITunes U Coming to a Campus Near You?
    David Brian Williams
  • Expanding Frames of Reference: Teaching the History of Electro-Acoustic Music
    Mark Ballora

Forum Essays

  • Choose Change
    C. Tayloe Harding, Jr.
  • Where is CMS in 2006-2007?
    C. Tayloe Harding, Jr.
  • Music in General Studies
    C. Tayloe Harding, Jr.
  • What Would Mozart Do?
    C. Tayloe Harding, Jr.
  • Hiring Minority Faculty
    Calvert Johnson
  • Why is Hiring, Mentoring, and Retaining Minority an Issue at this Point in Time for College Music Professions?
    Sang-Hie Lee
  • CMS, MGS, and Wingspread
    Barbara English Maris
  • The Pros and Cons of Teaching World Music as a General Education Course
    Paula Conlon
  • CMS, MGS, and the Near Future
    Barbara E. Bowker
  • Teaching Music in General Studies: The Time Has Come For Specialists
    Gerard Aloisio
  • Teaching Music in the Context of General Studies
    Mark Mazullo
  • We Need All the Trees (a contemporary fable)
    Barbara English Maris
  • An Approach to MGS Pedagogy
    Linda Pohly
  • Wingspread's Continuing Challenge for Faculty and Administrators
    Robert J. Werner
  • Restoring Keyboard Sounds of the Past
    J. Howland Auchincloss
  • "I'm O.K. - You're Okra" (A "tasteful" food for thought)
    Arthur Joseph Houle
  • "Lightbridging" is Bridging, Too.
    Jean-Claude Coquempot
Announcing the 2026 BSD Competition for Young Choral Composers
Is Owning a Chopin Academy of Music Right for You?
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The College Music Society is dedicated to the advancement of music teaching, learning, scholarship, performance, and creative activity. Rooted in higher education, CMS serves as an inclusive forum for dialogue and collaboration among music professionals across all disciplines and career paths. We support faculty, students, independent scholars, and industry partners by fostering innovation, promoting diversity, and encouraging the exchange of ideas to shape the future of music in society. Through advocacy, professional development, and community engagement, CMS empowers its members to lead and inspire in academic, artistic, and entrepreneurial contexts.

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