Volume 24 - College Music Symposium

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Volume 24

Articles

The Distant Shore Seen from Two Sides

Music in Higher Education in Italy and the United States: The Pros and Cons of Tradition and Innovation

To My Cousin, An Apologia

Verisimilitude and the Operatic Set Piece

Internal and External References in Beethoven's Fourth Symphony

Dear Re: A Glimpse into the Six Songs of Rachmaninoff's Opus 38

From Yankee Doodle thro' to Handel's Largo: Music at the World's Columbian Exposition

Women Composers of Medieval Byzantine Chant

Early Models in the Quantitative Analysis of Tonal Music

Style Periods of Music History Considered Analytically

Know the Score

Music in Our Schools: A Question of Values

The Changing Nature of Musical Change

Ugh! Why Pink? A Brief History of Music's Academic Color

Composition Before Rameau: Harmony, Figured Bass, and Style in the Baroque

An Essay on Word Painting

Problems and Issues Facing a Young Composer

Order and Freedom: The Composer's Dilemma

Ravel and Krenek: Cosmic Music Makers

Debussy's Earliest Songs

Mahler's Sketches for a Scherzo in C Minor and a Presto in F Major

Narration as Drama: Wagner's Early Revisions of Tannhäuser and their Relation to the Rome Narrative

Comprehending Twelve-Tone Music as an Extension of the Primary Musical Language of Tonality

Tonal Ambiguity in the Opening Measures of Selected Works by Chopin

Half-Notes Demystified in the First Movement of Beethoven's String Quartet, Op. 59, No. 1

A Model for Faculty Performing Ensembles

The UW-River Falls Commissioned Composer Project

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