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Volume 24
The Distant Shore Seen from Two Sides
Robert B. Carl
October 1, 1984
Music in Higher Education in Italy and the United States: The Pros and Cons of Tradition and Innovation
Marcello Sorce Keller
October 1, 1984
To My Cousin, An Apologia
Allen Brings
October 1, 1984
Verisimilitude and the Operatic Set Piece
Edith Borroff
October 1, 1984
Internal and External References in Beethoven's Fourth Symphony
Christopher Hatch
October 1, 1984
Dear Re: A Glimpse into the Six Songs of Rachmaninoff's Opus 38
Anne Simpson
October 1, 1984
From Yankee Doodle thro' to Handel's Largo: Music at the World's Columbian Exposition
David M. Guion
October 1, 1984
Women Composers of Medieval Byzantine Chant
Diane Touliatos
October 1, 1984
Early Models in the Quantitative Analysis of Tonal Music
Norman Sanger
October 1, 1984
Style Periods of Music History Considered Analytically
Irving Godt
October 1, 1984
Know the Score
Leonard Ott
October 1, 1984
Music in Our Schools: A Question of Values
Lloyd Ultan
October 1, 1984
The Changing Nature of Musical Change
Robert Garfias
October 1, 1984
Ugh! Why Pink? A Brief History of Music's Academic Color
Larry Wolz
October 1, 1984
Composition Before Rameau: Harmony, Figured Bass, and Style in the Baroque
David Schulenberg
October 1, 1984
An Essay on Word Painting
Irving Godt
October 1, 1984
Problems and Issues Facing a Young Composer
Harry T. Bulow
October 1, 1984
Order and Freedom: The Composer's Dilemma
William P. Latham
October 1, 1984
Ravel and Krenek: Cosmic Music Makers
Marcia S. Green
October 1, 1984
Debussy's Earliest Songs
James R. Briscoe
October 1, 1984
Mahler's Sketches for a Scherzo in C Minor and a Presto in F Major
Susan M. Filler
October 1, 1984
Narration as Drama: Wagner's Early Revisions of
Tannhäuser
and their Relation to the Rome Narrative
John Daverio
October 1, 1984
Comprehending Twelve-Tone Music as an Extension of the Primary Musical Language of Tonality
Graham H. Phipps
October 1, 1984
Tonal Ambiguity in the Opening Measures of Selected Works by Chopin
Cheryl Noden-Skinner
October 1, 1984
Half-Notes Demystified in the First Movement of Beethoven's String Quartet, Op. 59, No. 1
David Eiseman
October 1, 1984
A Model for Faculty Performing Ensembles
Donald Bullock
October 1, 1984
The UW-River Falls Commissioned Composer Project
Donald Nitz
October 1, 1984
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