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Mozart’s Violin Concerto in D Major, K. 271a/271i A “Dubious” Work that is Nevertheless Worthy of Study
April 27, 2024
Motivic Continuity in the Instrumental Suites, Sonatas, and Partitas of J. S. Bach
May 1, 2020
DOI
https://doi.org/10.18177/sym.2020.60.sr.11479
PDF
https://www.jstor.org/stable/26919804
Orlando Jacinto García, Orchestral Music, Volume Two
September 20, 2019
DOI
https://doi.org/10.18177/sym.2019.59.rev.11454
PDF
https://www.jstor.org/stable/26902601
Analysis of Pieza Para Violín Solo and Trio Conversations by Colombian Composer Juan Antonio Cuéllar
April 1, 2019
DOI
https://doi.org/10.18177/sym.2019.59.sr.11432
PDF
https://www.jstor.org/stable/26650716
Composing a Sound: Giacinto Scelsi’s L’âme ailée / L’âme ouverte for violin solo
December 22, 2017
DOI
https://doi.org/10.18177/sym.2017.57.sr.11365
PDF
https://www.jstor.org/stable/26574456
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