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Volume 37

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In this Issue
Articles (10)
Reviews (5)
Forum Essays (29)

Articles

  • Is There a Future for the Traditions of Music and Music Teaching in Our Colleges and Universities?
    Leon Botstein
  • Connected to What?
    Jonathan Berger
  • Melodic Tendencies in Prokofiev's Romeo and Juliet
    Ken Stephenson
    PDF
  • Performance, Analysis, and Musical Imagining, Part II: Schumann's Kreisleriana, No. 2
    Charles B. Fisk
    PDF
  • The Indian Music Debate and "American" Music in the Progressive Era
    Michael V. Pisani
    PDF
  • Teaching Rap: Musings at Semester's End
    Gail Hilson Woldu
    PDF
  • Improvisation in the Aural Curriculum: An Imperative
    Kate Covington
    PDF
  • And Now an Ideology from Our Sponsor: Musical Style and Semiosis in American Television Commercials
    Ronald Rodman
    PDF
  • Source Music, Background Music, Fantasy and Reality in Early Sound Film
    David Neumeyer
    PDF
  • Radio Formats and the Transformation of Musical Style: Codes and Cultural Values in the Remaking of Tunes
    John W. White
    PDF

Reviews

  • Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803, by Tia Nora
    Mary Hunter
  • Review Essay of Five Music Appreciation Textbooks
    Larry Worster
    PDF
  • William Grant Still: A Bio-Bibliography, by Judith Anne Still, Michael J. Dabrishus, and Carolyn L. Quin
    Catherine Parsons Smith
    PDF
  • Turning Notes into Music, by Hans Lampl
    Guy Urban
    PDF
  • Method of Organ Playing, by Harold Gleason
    Carlton T. Russell
    PDF

Forum Essays

  • Response from Johann Buis
    Johann Buis
  • Letter to the Editor
    Carl S. Miller
  • On Postmoderism
    Douglass Seaton
  • On Expanded Repertoires
    Douglass Seaton
  • On Teaching Music as a Liberal Art
    Douglass Seaton
  • On the Mission of CMS
    Douglass Seaton
  • Interesting Times
    Douglass Seaton
  • Preparing for Pride and Performance in the Professoriate
    Robert Glidden
  • Approaching the Millennium
    George N. Heller
  • World Music, que veux tu?
    Allen Brings
  • On the Mission of The College Music Society
    Robert S. Freeman
  • Faculty Development Through Peer Collaboration
    Joel Phillips
  • In the Matter of Anniversaries . . .
    James Parakilas
  • A Menu for Peer Review of Teaching: The Case Study of the UNL School of Music
    Margaret Kennedy-Dygas and Pamela F. Starr
  • Report: Eastman Symposium on Popular Music and the Canon
    Dave Headlam
  • Going Bilingual With Your Music Multimedia Projects
    Peter R. Webster and David B. Williams
  • Does Your OS Loose Its Flavor on the Mousepad Over Night?
    Peter R. Webster and David B. Williams
  • Who's Pushing Your Web Surfboard?
    Peter R. Webster and David B. Williams
  • Putting Some Multimedia Zip into Your CPU
    Peter R. Webster and David B. Williams
  • Leavin' the Jaggies in Your Notes Behind You
    Peter R. Webster and David B. Williams
  • Making Music with Computers and Disabilities
    Peter R. Webster and David B. Williams
  • Who Minds the Music Lab When the Prof's Back is Turned?
    Peter R. Webster and David B. Williams
  • Burning Your Toast CD-ROM Style
    Peter R. Webster and David B. Williams
  • Cookie, Cookie, Lend Me Your Data
    Peter R. Webster and David B. Williams
  • BVDS or DVDS? Fuzzy or Extra-Crisp Media?
    Peter R. Webster and David B. Williams
  • Telling Your AU from Your MIDI from Your WAV
    Peter R. Webster and David B. Williams
  • Promoting Your Music Software
    Peter R. Webster and David B. Williams
  • Update on LCD Panels
    Peter R. Webster and David B. Williams
  • Broadcasting Your Music News on the NET!
    Peter R. Webster and David B. Williams
Is Owning a Chopin Academy of Music Right for You?
Announcing the 2026 BSD Competition for Young Choral Composers
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The College Music Society is dedicated to the advancement of music teaching, learning, scholarship, performance, and creative activity. Rooted in higher education, CMS serves as an inclusive forum for dialogue and collaboration among music professionals across all disciplines and career paths. We support faculty, students, independent scholars, and industry partners by fostering innovation, promoting diversity, and encouraging the exchange of ideas to shape the future of music in society. Through advocacy, professional development, and community engagement, CMS empowers its members to lead and inspire in academic, artistic, and entrepreneurial contexts.

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