Volume 60, No. 1 - College Music Symposium

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College Music Symposium

Volume 60, No. 1

Our Rebirth: Reshaping the Music Discipline after the Covid-19 Pandemic

Lisa A. Urkevich, General Editor May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.sr.11482
PDF https://www.jstor.org/stable/26919801

Tracing as an Analytical Approach in the Music Theory Classroom: Exploring Chopin's Mazurka in A-flat Major, Op. 17, no. 3

Jennifer Salamone May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.sr.11481
PDF https://www.jstor.org/stable/26919802

Spioraid an dochais, Spirit of Hope: Imagining a Scottish Gamelan

Heather Strohschein May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.sr.11480
PDF https://www.jstor.org/stable/26919803

Motivic Continuity in the Instrumental Suites, Sonatas, and Partitas of J. S. Bach

Josquin Larsen May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.sr.11479
PDF https://www.jstor.org/stable/26919804

Staying Relevant: How a Radio Behemoth has Weathered the Storms of Change to Survive in the New Media Market of the 21st Century

Kim L. Wangler May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.sr.11478
PDF https://www.jstor.org/stable/26919805

Music Technology Educators’ Use of Andragogical Principles for Adult Students Using Technology for Learning

Daniel A. Walzer May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.sr.11477
PDF https://www.jstor.org/stable/26919806

In a Time of Crisis, Stand with Contingent Faculty and Graduate Students

Stanley C. Pelkey May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.fr.11476
PDF https://www.jstor.org/stable/26919807

Teacher Responses to Cautions About Teaching Negative Biographical Details in Jazz History Courses

Rob Foster May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.fr.11475
PDF https://www.jstor.org/stable/26919808

Make Students Feel Invested: New Pedagogical Methodologies in Music

Reba Wissner May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.fr.11474
PDF https://www.jstor.org/stable/26919809

The Modern Band Movement: Accessible, Relevant, and Student-Centered Education

Martina Vasil May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.fr.11473
PDF https://www.jstor.org/stable/26919810

Improving Sight-Singing Skills using the New SmartMusic Website

Jenine Brown May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.rev.11472
PDF https://www.jstor.org/stable/26919811

Meludia: Innovative Aural Skills and Ear Training Exercises without Staff Notation

Trevor de Clercq May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.rev.11471
PDF https://www.jstor.org/stable/26919812

ROLI Lightpad Block M Studio Edition. Part 1: Hardware

Charles Paul Menoche May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.rev.11470
PDF https://www.jstor.org/stable/26919813

What Goes On: The Beatles, Their Music, and Their Time, by Walter Everett and Tim Riley

Alex Ludwig May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.rev.11469
PDF https://www.jstor.org/stable/26919814

Music for St. Cecilia’s Day: From Purcell to Handel, by Brian White

Natasha Roule May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.rev.11468
PDF https://www.jstor.org/stable/26919815

Notes for Clarinetists: A Guide to the Repertoire, by Albert R. Rice

Abby Lloyd May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.rev.11467
PDF https://www.jstor.org/stable/26919816

Katelyn Bouska, Miloslav Ištvan: Complete Piano Works

Hsiang Tu May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.rev.11466
PDF https://www.jstor.org/stable/26919817

Bo Ties, Gabriel Dupont: The Complete Piano Music

Kiyoshi Tamagawa May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.rev.11465
PDF https://www.jstor.org/stable/26919818

Matthew Odell, Connections: The Music of Olivier Messiaen and His Students

Jason Hoogerhyde May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.rev.11464
PDF https://www.jstor.org/stable/26919819

Janet Hilton, Flying Solo: Music for Solo Clarinet

Anthony J. Costa May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.rev.11463
PDF https://www.jstor.org/stable/26919820

Béatrice Berne and Jean-Marc Fessard, French Clarinet Exports

Anthony J. Costa May 1, 2020

DOI https://doi.org/10.18177/sym.2020.60.rev.11462
PDF https://www.jstor.org/stable/26919821

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